What drives Jon Burgerman?
Did some reading on logo-evolution today. Take a look on how many times they’ve changed the Batman symbol during the years.
Today I went to Design Museum Gent to visit the exhibition: Coca-Cola: 125 jaar design. The museum told the story of this brand using material by the great archive of Coca Cola in Atlanta (USA).
It’s amazing to see that literal everything is well considered designed. Even though the baseline and campaigns changed a lot during the years. The shape of the bottle a the logo kind of stayed the same.
The whole exhibition was very well designed. PinkEye did some nice graphics on the wall to make the story even more vivant.
For me the best Coke commercial is still: You can’t beat the feeling. Very 80’ies but I love it!
About Helvetica, the Typeface designed by Max Miedinger en Eduard Hoffman in 1957
It was difficult to choose which illustration I liked most from this French Graphic designer/ illustrator.
Was really surprised to see he is only 23 years old and realized all these great work. Enjoy!
Although I’m not too fond of the typeface of the logo (even if it fits perfect here), I like the complete branding for this Hungarian hairdresser salon.
I found this identity on the portfolio of Kissmiklos. Check it out because he designed a lot of other nice work.
Happy New Year! by Sasha Vinogradova
In the past 15 years the city of Melbourne had a range of isolated logos for various services, which has become difficult and costly to manage. Landor created this big bold ‘M’ in different colors and shapes so the same logo can be used for all different identities and services Melbourne has to offer.
The ‘M’ on itself is so strong and simple at the same time, they can afford to make these changes without losing their identity.
Brilliant stationary for 13th Street, a television channel specialising in action and suspense shows and movies.
By: Jung von Matt, Germany

Here you can see what I like and what inspires me,





